Parade

I'm curious what do you think

I loved the flow of this track, very smooth movements. The most memorable moments were the green line recycle (obviously) and the two pegged tail manual. Those things look sexy and should be used more. Only critique I can give you here is that you should totally try to have more of those cool moments. Keep doing your thang

The most noticeable for me was the two-pegged tail manual, looked very nice when done so smoothly like this. The flow was amazing, but tbh, I didn't see the green manual, nor that it was recycled in the track itself. The color playback was necessary to fully enjoy that awesomeness

Fine work son.

that was pretty pretty my pretty

God almighty. This is one of the most moving tracks I've ever seen for some reason. The music, the feel, the flow...this has such a classic Pawel feel and skillset but it has this emotionally moving stray away from your natural flare. You have such incredible technique, and watching this track makes me feel such a promising hope that someday I could be as good at controlling bosh as you are.

The green maual was MWAH and the namual roll thingy at around 2:31 both made me put my hand on my mouth. Shame the recording's so choppy, and hallo pawel's mouse ;P It was prolly cus we wuz chatting during the rec

As for critique,
You've done significantly better in the past, showcasing massive technical skill in a stylish, moving way. Was this more of a boredom killer, or just some busy work? You didn't appear to work as hard on this one as I assume you would have to in order to make your higher end work. Two tries, you deviant scoundrel rotation master. Why'd you lose momentum as a player? Don't be demotivated; this was refreshing. I hope our current collar finds more focus so that the true master in you shines some more.

But, i'll end with what was my first thought after seeing this:



You're amazing.

I read the comments before watching the track, and my god you son of a lord, it was magnificent, I saw the green manual line the second time bosh "rode" it and it was so awesomely recycled, I just feeling like saying ...

wait for it:

There I said it.

I saw a mouse run across the screen. Anyway, I liked the feeling of the track and the different uses of things like the green manual. Although, I didn't feel that this was as smooth as say Noon. There were a few to many sections that Bosh lost momentum and there wasn't a strong something to continue the flow. There was a good flow through most of the track, but it seemed to come and go instead of keeping a constant flow. It's something that I know you can do and have demonstrated before, so it was kinda strange seeing something that wasn't as flowly as your stuff normally is. It's something that I've really been trying to work on myself so I just have been focusing on it more.

This was such a treat to watch, really fun feel to the track! Everything fit in place

gay stupid song. lol

The track was tight! Your flings look really perty. Try to avoid having just one or two wells of the whole fling stacked. Might as well make the fling have either no stacks or completely stacked. They'll look even better!

Congrats, you did what everyone else tried to do but couldn't: Convince the rest of the site that green lines can be used for more than just pretty misdirection. They take skill to use well, and you have that skill. Beautiful job with this, loved the track.

GREEN MAUAL :rabid: :rabid: :rabid: :rabid: :rabid: :rabid: :rabid:

You actually made me hate this song just a tiny bit less. That's saying a hell of a lot. Awesome track bro, lots of fun to watch; managed to be great and thoroughly enjoyable while not taking itself too seriously. Props bro!

gao wrote:OH MY GOD I ALMOST STARTED CRYING WHEN THAT GREEN MANUAL WAS RECYCLED AGH

rafael wrote:The most memorable moments were the green line recycle (obviously) and the two pegged tail manual

znf wrote:I didn't see the green manual, nor that it was recycled in the track itself. The color playback was necessary to fully enjoy that awesomeness

dap wrote:The green maual was MWAH

getthim wrote:I saw the green manual line the second time bosh "rode" it and it was so awesomely recycled

opal wrote:Convince the rest of the site that green lines can be used for more than just pretty misdirection

rofl wrote:GREEN MAUAL :rabid: :rabid: :rabid: :rabid: :rabid: :rabid: :rabid:

I always dreamed of recycling a green manual. I really thought I would need to use stabilizers for that, but it amazingly worked

rafael wrote:Only critique I can give you here is that you should totally try to have more of those cool moments. Keep doing your thang

The problem is, it's not something you just pull out of your pocket. I will try though

dap wrote:You've done significantly better in the past, showcasing massive technical skill in a stylish, moving way.

theacp wrote:Although, I didn't feel that this was as smooth as say Noon.

It was a different style. I just wanted to see how will I do on bigger manuals

boo wrote:Try to avoid having just one or two wells of the whole fling stacked

Oh I haven't heared of that. But it seems to make sense. Thanks for the tip!

rofl wrote:managed to be great and thoroughly enjoyable while not taking itself too seriously. Props bro!

That's what I do

Thank you for the comments, guys

Pawel3 wrote:

rafael wrote:Only critique I can give you here is that you should totally try to have more of those cool moments. Keep doing your thang

The problem is, it's not something you just pull out of your pocket. I will try though

That's true! Still, I wouldn't mind if this track had more green manuals and more two-pegged manuals

Beautifly executed. The bosh soared through the air like a warm knife in butter. Shitty analogy, but you get the idea..

Recycling like a real #BOSS
Never change, just progress. This track inspired me so hard.

first of all. can't help this playing in my head
you're suffering from delusions of adequacy

Okay. I'm not coming up with a lot to say about this track but it is your most recent release, so here goes.

I felt like the opal influence was stronger in this track. There seemed to be a conscious effort to be more flowy and less jerky stuff overall. Not sure if I like it better. Maybe not, I really liked the more "jerky" stuff you've made in the past? But I don't want you to stop if you enjoyed doing it.

Let's just comment on moments that jumped out at me:
0:48-0:50 really did feel awkward and abrupt IMO, probably just in context of the stuff that came before it. Track seems to open up a lot after this bit.
1:01 I liked this upside down flatsledding
1:15-1:18 I'm probably just old school which explains why this looks weird. For some reason I always thought that when the second peg hit the ground it dramatically decreased speed and prettiness. I'd be curious why this looks real nice and fluid but that misconception simultaneously exists.
1:29-1:31 flowed really nicely.
1:38 I think I realized this was green, or at least that something was up, before I saw the color playback. totally the most memorable part of the track. I think I cackled when I realized what it was in color playback

I was thinking about raf's comment and I realized... why not do that? Like, I think maybe we are overvaluing variety in tracks these days? Like, if we try to keep everything we do different then theres a sort of odd constancy about it, that we know it's never gonna do the same thing again. Wouldn't it be fun if we intentionally went against this rule and made like, some spots where there is variety and others where there is some repetition going on? We spend a lot of time syncing to music, and music has a lot of repetition - what if we used repetition in tracks as a tool, instead of treating it like an enemy?

Well, looks like I did have something to say. Cool. Well that's all I got, hope this was helpful