Inhibitions Z ~ S.A.D. Boys

For your viewing pleasure.

Info:

Happy 2 year anniversary since returning, to meeeeeee

Mentions:

I am so glad you guys are all playing Line Rider right now. This is some of the fastest I think this game has ever technically developed and it's incredible to watch everything unfold. 

I loved the track and the syncing was beautiful. Everything was so smooth and I honestly don't think I could tell the parts apart. The style was so consistent all the way through. Very fun to watch.

this is really impressive. i'm gonna have to watch this a few more times.

This track threw my excitement in orthogonal circles; if I could express that better, I would. Now I would appreciate, hugely, if someone would explain some of these singularities and some of this stacking; I wish to better understand it, but I don't have enough time to rewatch Rabid's video on stacking, or kramuals for that matter, but I understand kramuals. This track is beautiful; the way it's pressure is pleasantly sync'd to the music is very impressive; it's fluidity is astounding. Thank you very much for making this track.

I guessed correctly.

Who are these boys and why are they sad?

Legitimately WHAT. This is insane. I can't even begin to comprestand.

Sheldon wrote:Who are these boys and why are they sad?

This is all my fault.

No The Well-Tempered XYZ?

I had absolutely no idea what was going on, but thought it was beautiful anyway. Only you guys boys can do that. The last parts were mind-boggling.

also, 30 days? What the hell...

This isnt lr anymore...at leat thats what i imagine Boštjan would say
great display of skill though!

~Slag-wells are back!

At first the amount of cannons were distracting, but towards the end you guys used them really well. Sick track, I'd call it glitchquirk.

Why did nobody think to call this "Inhibitionz"?

But seriously, this was like watching a movie like A Clockwork Orange in that Bosh is getting raped and abused and it's uncomfortable for me to watch, but like in an utterly fantastic way.

nobody can do this detailed of a sync besides you guys, because only you guys can move bosh so quickly within a frame

this track is probably the finest display of syncing ever created, and as far as i can see, is flawless

Very nicely done. I remember when I used to be proud of how strong I could make my flings so that I would move Bosh from one side of the screen to the other in like 10 frames or whatever. With kramual stacks being a thing that sounds pretty silly in comparison.

See, this is the shit I like, right here. The way y'all are playing with syncs and direction makes for a reeeeeeeeally interesting watch.

This one's a complex experience, I'll have to rewatch a bunch to find what I missed.

There are certain tracks where me not knowing what's going on takes away from the experience. This is not one of those tracks. Even without knowing how everything was done, or what even went on for the full three minutes of track, I found myself gladly entertained.

One thing I am noticing is that a lot of this stuff is not near as entertaining to watch without the music sync, as I found myself losing focus during the color replay. Not that this is a bad thing in the least, considering just one year ago people would judge tracks in tournaments by putting them on mute and seeing which one was better on its own. We would never be able to do that with any of the more recent tracks, it's crazy to think how it worked that way in the past.

I think collabs are going to be even more important as since these technical things take so much time and effort. This track is awesome, and the fact that you guys did everything in xyz make it even crazier.

xyz flings, love em. I love the presentation aswell. Very pleased with this project all together, and super happy i got to work with you guys

Now, what's next?

I had high expectations for this track and you guys blew them out of the water, that was fantastic. I tend to think of linerider as a way to visualize music and you three have been able to use your technical skills to create a track that, at least to me, looks exactly like the music sounds. The fact that this track is xyz, blue, and changes directions every other second and STILL feels light and fluid is really impressive

At some point during the track I gave up on trying to figure out the technical side of it and instead I just relaxed and enjoyed this spectacle of motion that you guys have created. There are moments in this track where I have absolutely no idea what's going on, yet it still feels very coherent as a whole due to the meticulous syncing. The fast syncs at 2:11 and 2:33 is something I hadn't seen before and really stood out to me.

Excited to see what the SAD boys do next =)

dope track bro!

Made an account just to say holy shit. You managed to match the music with the gesture of the guy's flinging in a really satisfying way. The horizontal/vertical hits where he switched instantly after bouncing (the bounces were really cool too) were super cool to watch. You managed to keep it varied, too - I never got bored (as I sometimes do with longer tracks). Nice job!

Wow hobo apple really appreciate it, means a lot buddy. You shoukd stick around you seem to know a thing or two already. Also to any who are interested the sync is off by a very small amount but very noticable if you want to look at the trk and download the music file I will provide it.

It's so good to see all of this feedback! Thank you guys, so much! It would be fantastic if people could come and give more feedback after h having studied it and watched it more! I'm really down to find out what I can improve on next, because I really took care to focus on improving on the concepts I used in Inhibitions! It's important to me to be able to know where to go from here.

Quick review, super proud of it
https://www.youtube.com/watch?v=xk0F9uCqN0M

Funny thing Lone Vampire has been actively trying to remove SLAGS and he thought they were 100% gone in the version I used. So technically I was exploiting a bug.

How did you make it? I have zero idea how you did.