cherried - vang

experimental track. just tried to strengthen my wells n shit. when i put it in my editing software i was too lazy to sync the song perfectly so the track is kind of off sync. but enjoy the randomness. (watch in hd or quality looks bad)

EXCUSE ME

That was really nice! It felt like Anton, but swingier.
I feel like when I watch quirkers do their thing, it's like watching rappers: everyone's got a different flow. The way this track changes up where and when the syncs happen makes for a really entertaining and unique experience.

Tl;dr this track is the groovy tony of tracks

Dude, that was a thrill too watch!

I loved that. It worked together so well.

I feel like there's a lot of power to be worked on, if you're working on your skills. You've got to learn that just because a contact point is pulled as far as it can go does NOT mean it's the maximum or even a decent strength for that well. I see a lot of really neat sync ideas you're trying to pull off that end up being sub-par because of a lack of power.

Also, consistency will give you much cleaner tracks.

Not bashing you about the head, just some insights from a fellow quirker!

Good

there hasnt been a track this floaty-feeling since sublime

some real good boshmanship in this track

This track had great control, and synced really well. I think it was a great track. Very fun to watch, and technical. Great job on it man; I've watched it twice.

I just wish it felt like it had more control
I mean you clearly are learning about how to quirk.
When you've mastered control, hot damn.

Dapianokid wrote:I just wish it felt like it had more control
I mean you clearly are learning about how to quirk.
When you've mastered control, hot damn.

elaborate if possible?
this looks super nuanced to me, especially with the hits and hi-hat syncs

Well, it's pretty easy to control Bosh in a way that syncs up with music well with the newer versions and with a little bit of experience. Don't get me wrong, this seems well composed!
But a lot of times, say when Bosh goes down through a stack of lines, he slows down a lot. Curves seem to pay little attention to how much he rotates and instead on if he moves or not. Flow isn't necessarily gone under these conditions, but it's limited and starts to feel repetitive to me.