there is so much - gaoyubao

Another short track from a while back. This is to get pure to post at least one track

Can I just say? Wow.
Inspiring stuff.
I loved this, and would love to study the ending wells

that was neat as hell

Damn impressive.  The manual integration control was top notch, and the "elevator-wells" made me smile with awe.  Great music choice too!

... So that's one track I have to publish, so far.  Keep 'em coming

Very cool syncing, nice track

This was hecka dope, brought the perfect blend of intensity and chillness. Well executed, as always.

Gao, I love you. I love how effortlessly you see line rider as art, how ingenious you are, and how effectively you execute your ideas.

The upwards Y start was a great way to build speed and intensity while also keeping the movement relatively low, building up the suspense for the track. So much cooler than a long falling airtime, especially with the music.
And the payoff when he hits the first manual is great - it feels so satisfying with the music.

The double taily integration roll at 0:58 is probably my favorite part of the track, closely followed by the two rolls at 1:05. I think what makes these moments - and the rest of the track - so great is that you demonstrate an enormous amount of control in your rotation, as opposed to direction or speed or tricks - the feeling that bosh is rotating relative to the line he is riding on, which is slowly shifting beneath him, is just really really cool - this is something that has been done before but you really understand it and embrace it and show it to us in all its glory and milk it for all it's worth. Your ability to do that kind of thing is just really incredible.

The abrupt stop is kind of funny because it suddenly has a shit ton of wells and the result is that bosh grinds to a halt in almost no time at all - and it's like, this is the most intense trick in the track but it's just tacked on the end because it's not really all that important, haha. And you're right, those wells are not what makes the track good. Which is an interesting perspective. You're not doing manuals because you can't quick, but because you think they look cooler than the quirk for the purposes of this track. It speaks volumes.

I hope you keep making tracks and blowing our minds. I get excited everytime you post a new one and I hope you keep going for a long time.

The ending reminds me a lot of Rachmaninoff's ending to his Prelude in G Minor.
Or the ending to Chopin's Etude Op. 10 No. 10.

Go listen, you'll see what I mean.

Hey what moment were you saving this for anyway